The Postwar design phenomenon known as mid-century modernism has been back—and thriving—for years now. In addition to a steady stream of new products from major retailers that cash in on the clean curves of the past, people continue to buy originals, reissues, and knockoffs of icons like the Eames Lounge Chair in droves. But if there’s one person I’d wager loves it just a bit more than the rest of us, it’s journalist Dominic Bradbury. In the wake of his tomes Atlas of Mid-Century...
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