How I Knew Baby Driver Would Be Glorious Before Seeing It

See enough action movies, and you’re sure what you’re really seeing is the same story, with a rotating swath of car models, gruff personalities, and elaborate pyrotechnics. Going into Baby Driver, the part-action movie, part-rock opera out June 28, I knew not to expect the ordinary. I walked into the movie theater with the blind faith of a believer. I knew director Edgar Wright wouldn’t let me down. By the first scene — a show-stopping car chase timed to “Bellbottoms” by the John Spencer...